SETC Theatre Symposium 2008
was held
APRIL 11-13, 2008 • Chapel Hill, North Carolina
Topic: OUTDOOR DRAMA
Once one begins to explore the topic of outdoor drama,
one cannot ignore just how large a proportion of theatre history and practice falls into the subject
area. The many and varied types of performance range from the necessary outdoor Greek and Roman
spectacles, through the civic Passion plays, the commedia dell'arte, and Elizabethan public playhouses,
all the way to the contemporary dramas performed outdoors as a choice. Non-Western dramas, too,
frequently make use of outdoor public spaces as not only a venue for the performance, but an important
grounding of the meaning. Whether in subject matter that celebrates the community’s religion, history, or
traditions, the outdoor drama seems a subject ripe for examination in historical, theoretical, and
performance-based terms. We invite papers especially that analyze the nexus of history and theory as it
applies to the production of some particular facet of outdoor drama.
Our keynote speakers were Rob Fox, the current director of the Institute of Outdoor Drama located at
the University of North Carolina at Chapel Hill (www.unc.edu/depts/outdoor), along with Mark Sumner and Scott Parker, both former SETC presidents and former directors
of the Institute. These three individuals provided a far-reaching scope for a lively overview of
subjects that touched on and amplified the theme of the Symposium, not to mention furthering the connection
between SETC and its Theatre Symposium.
Dr. Jay Malarcher
Editor, Theatre Symposium
Division of Theatre and Dance
Box 6111
West Virginia University
Morgantown, WV 26506-6111
If you are interested in attending this year's Symposium and have a question, please contact Dr. Malarcher at
jay.malarcher@mail.wvu.edu.
Individual members of SETC receive a copy of Theatre
Symposium
as a benefit of membership.
A History of Theatre Symposium Journals: 
| SETC
Theatre Symposium Past Issues |
| Volume |
Title |
| 1 |
Commedia
dell'Arte Performance |
| 2 |
Theatre
in the Antebellum South |
| 3 |
Voice
of the Dramaturg |
| 4 |
The
Reemergence of the Theatre Building in the Renaissance |
| 5 |
Drama
as Rhetoric/Rhetoric as Drama |
| 6 |
Crosscurrents
in the Drama: East and West |
| 7 |
Theatre
and Violence |
| 8 |
Theatre
at the Margins: The Political, the Popular, the Personal,
the Profane |
| 9 |
Theatre
and Politics in the Twentieth Century |
| 10 |
Representations
of Gender on the Nineteenth-Century American Stage |
| 11 |
Constructions
of Race in Southern Theatre: From Federalism to the
Federal Theatre Project |
| 12 |
Elizabethan
Performances in North American Spaces |
| 13 |
Theatre
in Transit: Tours of the South |
| 14 |
Theatre, War and Propaganda |
| 15 |
Theatre and the Moral
Order |
| 16 |
Comedy Tonight! |
| 17 |
Outdoor Drama |