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Southeastern Theatre Conference, Inc.
interest areas -> stage movement

What is the importance of Stage Movement in SETC?
The purposes of this interest area are to promote and improve the appreciation, study, teaching and practice of stage movement and theatrical dance, and to provide a forum for the exchange of information and ideas about stage movement, theatrical dance and related topics. This encourages exchange between both SETC members and other movement professionals. Every year the Stage Movement Committee provides programming in areas such as, but certainly not limited to, physical acting, mime, Alexander Technique, Laban, stage combat and dance. The presiders and presenters of these programs volunteer their time to share their knowledge and experience with aspiring and established actors and directors, drama club leaders, acting teachers, other movement professionals and educators who attend the convention.
Who is involved in Stage Movement?
Membership in this committee consists of all members of SETC who have an interest in stage movement. It is a special concern of this committee that we strive to address movement concerns and issues pertinent to all constituent areas of SETC and we therefore invite and encourage members from all divisions to be active in the committee.
Program emphasis at the Annual Spring Convention:
Programming consists primarily of "hands on" workshops and lecture/demonstrations that provide an opportunity for members of SETC to participate in and experience movement topics that are presented and explored at the Annual Spring Convention.

Stage Movement workshop samples from past
SETC Conventions:

Orlando, FL - 2006
Extreme Physical Theatre:
The development of originality. The Dell'Arte International vocabulary of Physical Theatre. Be prepared to come and sweat with your bodies and with your minds!
Performing Dance: Letting Your Inner Light Shine Through:
Learn how to perform musical theatre dance choreography with increased stage presence, direction, focus and emotional truth: Award-winning Broadway Choreographer Patti D'Beck leads.

Greensboro, NC - 2005
Mime Techniques You Can Use:
How to simply, clearly, and efficiently communicate mime objects onstage: an integrated approach.
Acting Relaxed: Self Relaxation Techniques for the Actor:
Experience relaxation/grounding exercises that will help you focus on body and breath. Learn self-massage techniques to focus and relax your body.

Chattanooga, TN - 2004
Mastering the Choice of Actions:
An interactive Stanislavski workshop in which participants will explore an approach to mastering the choice of actions by identifying dynamic verbs leading to strong simple objectives.
Physical Comedy - The Magic of Movement:
Workshop will lead participants through a series of physical comedy exercises, culminating in a classic slapstick routine that will demonstrate why the great clowns like Chaplin, Keaton, and Lloyd took their silliness so seriously.

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